My 10 Favorite Records of the 2010’s

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You can never quarantine the past

Not intending this to be a quasi best of list. Just ten albums I liked/loved more than the others. All which came out between 2010 and last year. Maybe this is more of a personal chart, what music songs records I’ve been listening to for the last ten years. And this doesn’t even include those which were made in the ’90s and the 2Ks. And from the looks of it, guitar/rock music has dominated my listening years, with a few interesting diversions to spice up the mix. Also, the songs are getting slower, less punk, more like “J Smoov”, Soccer Mommy, or Mitski. Continue reading “My 10 Favorite Records of the 2010’s”

20 Songs from the 2010’s

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Night Shift – Lucy Dacus (2018)
I was reading Consequence of Sound’s best rock albums list when I found this song. I was looking for songs too good for me to have missed so I clicked on a few YouTube links. But then of course the list includes Foo Fighters’ Wasting Light, which I think is fine, but no Stephen Malkmus & the Jicks? Just saying, Mirror Traffic‘s way better than Wasting Light.

“The first time I tasted somebody else’s spit, I had a coughing fit. I mistakenly called them by your name, I was let down it wasn’t the same. I’m doing fi-iine”. I initially thought she said ‘feet’ and so I played it again and I was hooked. Y’know, it’s like that song that opens with “I had – no choice – but to kill you”, the kind of opening line Continue reading “20 Songs from the 2010’s”

Favorite Nude/Sexy Album Covers (NSFW)

 

Sticker Happy (1997) – Eraserheads
Drinkin’, Lechin’, & Lyin’ (1989), Cold Hands (1990), White Out (2000) – Boss Hog
Night Time, My Time (2013) – Sky Ferreira
Materiales Fuertes (2015) – Trinidad
By The Way (2002), Mother’s Milk (1989) – Red Hot Chili Peppers
Zilch (2015) – Pupil
Sparkle Hard (2018) – Stephen Malkmus & the Jicks
Songs About Fucking (1987) – Big Black
Surfer Rosa (1988) – Pixies
Taste Test (2003) – The Pin-up Girls
Hale (2005) – Hale

 

The Oktaves – The Oktaves (2013)

theoktaves-20130304-theoktaves-debutalbumcoverNot quite as dismal as the last collaboration album with Ely Buendia’s name on it. But not quite as good as Pupil’s (or Hilera’s) last album either. In case anyone’s forgotten already, The Oktaves is Ely Buendia’s kind-of-full-time-but-not-really other band, a supergroup who don’t seem to hang out together. Or maybe they do hang out, only not as much as the members of Sandwich and Pedicab.

The best cut on this otherwise solidly bland album, is the alternate take or mix of “Bungo Sa Bangin,” previously released on RockEd’s Rock Rizal. The old version has Pepe Smith working the frets, the new version features Nitoy Adriano on slides. “Walang Magawa” is probably Chris Padilla’s worst song yet. The song is self-referential, an uninspired song about Continue reading “The Oktaves – The Oktaves (2013)”

Sandwich – Debris (2016)

Sandwich_DebrisDebris, Sandwich’s eighth LP, despite having “Kagulo” and “Outlaw,” is a little less than their previous outing—the one which they recorded live, in studio. “Kagulo”, easily Sandwich’s most recognizable hit since “Betamax,” could have been up there with the band’s best album openers—alongside “Sugod”, “Procastinator”, and “Cheese Factor Set to 9”—if only it isn’t the third cut in the album. Instead, we have “Border Crossing” opening Debris, which isn’t just as good. I miss the charred, slow burning eponymous track that opens their last record.

The chorus of “Border Crossing” is a bummer, good thing there’s “Amphibious” to make up for it. Then, we have “Kagulo”, but it is followed by another bummer, the uncharacteristically sentimental “Buhangin.” What is it with Sandwich and beaches? Remember their awful song about getting “Sunburn”? Continue reading “Sandwich – Debris (2016)”

Pupil – Zilch (2015)

PhotoGrid_1462695497194Three albums in and Pupil goes back to zero – a restart, a new beginning. Yan Yuzon’s out and erstwhile Mongol Jerome Velasco comes in. The angular riffs and dream-pop soundscapes are out – traded for the more compact ones. The alt-rock palette with strong post-punk leaning, they decided to explore no further. We saw the band’s sound evolve from Machines to the Infinity Pool – what we have here is the same sound overhauled. Forget about My Bloody Valentine and Interpol then, Zilch has Pupil defaulting to rock – with shades of Smashing Pumpkins, The Cult and Pixies, thrown in to thicken the mix. This time, arena-sized wails, metallic riffs and a drum kit straight out of ZoSo, are front and center.

The Ornussa Cadness starrer “Out of Control” is the funkiest of the lot – also contains Ely Buendia’s wittiest wordplay in a while. Second single “Why” faintly echoes the Pumpkins’ “Quiet” from Siamese Dream, but the chorus is totally Buendia’s – and it’s catchy as hell. Speaking of hell, “MNL” spells some irony about the titular city, a.k.a. the gates of hell, in between metallic riffs and furious pounding. Where Zilch falls short, is in providing breaks between the din, in the same way “Cheap Thrill” pours like ice water, on this hot hot summer. And this is where the rivets start falling. Compared to Buddha’s Pest, in which the dreamy shoe-gazers splinter the grungy ones, Zilch has lesser variations one can latch onto. Not a total loss, not remotely bad even. Yet somehow, it feels like this is where the winning streak ends.

P.S. The cover art is irresistibly hot, despite its black paint mud and cold metallic feel.