Right after the opening salvo of Captain America: The Winter Soldier, in which we find Captain America and Agent Romanoff displaying their super-awesome fighting skills against a group of mercenaries … Continue reading ‘Captain America: The Winter Soldier’ Is A Perfectly Executed Action-RPG
Avengers: Infinity War opens with a distress call—actually a massacre, off-screen. And it’s only fitting that after Marvel’s most outrageously hilarious movie comes tragedy. I’m referring to Thor: Ragnarok, of course, which ended with Thor, Loki, Heimdall, Hulk and the rest of the Asgardians aboard The Mastermind’s fancy ship. They all survived Ragnarok—saw Asgard burn to the ground—only to have their refuge cut short by Thanos and his henchmen, the Black Order.
Yes, Avengers: Infinity War takes off right after that Ragnarok stinger. By the way, I remember someone complained that Ragnarok shouldn’t be a comedy, that everyone should have died in the end just like in the comics. My dear friend, you had Thanos’ mercy, your wish has been fulfilled. Are you happy now?
Of course, Infinity War is also, more or less, a direct sequel to Captain America: Civil War, Spider-Man: Homecoming, Black Panther and Guardians of the Galaxy Vol. 2—none of which required viewing prior (in case you missed them) except for the last one. Civil War‘s great divide was summed up by Tony Starks with “we’re not in speaking terms”; Spider-Man, who tried so hard to impress Tony only to reject his offer to become an Avenger in the end, now becomes an Avenger; and Killmonger, the most important character in Black Panther, you don’t really need to know to understand this movie.
Couldn’t we just like them both? Be excited for both? Eggsactly. But where’s the fun in that? Also, these are two very different superhero movies. Two movies that operate on very different levels. So let’s contrast and compare.
One is about a Titan’s intergalactic quest for a set of colorful McGuffins, and the resulting powerful one-against-all scenario that would lead to gigantic fights that’s most probably 80% punching. While the other’s just the first sequel in a franchise (as opposed to the former being the 19th movie in the series) that seemingly care less about anything else outside of its titular hero. And Cable. And X-Force. Who’s the villain? We don’t know. That, we will find out come opening day.
Maybe “the real heroes” aka the screenwriters have a few more tricks up their sleeves and subvert our expectations about the movie’s plot. But I don’t want to expect. That’s the golden rule: Don’t expect. And based on the trailer, it is probably more of a spandex-and-sword action movie, with a lot of talking and talking to the camera, and fewer punching scenes.
Hail to the king
Wasn’t really planning to watch Black Panther. Afraid that this steady diet of tentpole superhero movies has nothing but replaced my enthusiasm for “something different” with disappointments and lowered expectations. But the hype and raves came overflowing that my Spider-sense started tingling.
Black Panther‘s box office success, just like Wonder Woman‘s last year, within the context of the superhero/comic book blockbusters, is sort of groundbreaking. It’s actually amazing—I won’t deny that. Nor am I going to elaborate on the said achievement here, because with so many rave reviews (initially 100% on RT, then came the few negative reviews, which eventually were met with backlash—it’s the internet, y’know) I’m pretty sure it has already been covered. A lot. So loud were the raves that some black dude has been wondering if majority of white geek dudes are being too lenient in their review for a movie that features an African king from a secret kingdom with advanced technology that’s both organic and alien. As if most reviews zoomed-in on the great things about the movie and zoomed-out when it comes to its flaws. That the critics seemed to have graded Black Panther on a curve—the Marvel grading curve.
In a little over two hours, Black Panther is able to tell a familiar story about family, politics, race, nationhood, and fighting for the oppressed, in a superhero frame that’s all wrapped in vibrant African color. The best thing about it is its narrative: the well fleshed-out characters and clear-cut central conflict. It’s like the first Thor movie actually. Wakanda minus its best-kept secret, is like Asgard. The rivalry between T’Challa and Erik Stevens, like that of Thor and Loki, only twice as compelling. Erik Stevens aka Killmonger also reminds me of Hela’s exiled heir to the throne, only with more humane than pure evil motivations and thus, he’s easily among Marvel’s memorable villains to date. And compared with other superhero/comic book movies that imbued its story with the topical, political and air of relevance—The Dark Knight, The Winter Soldier, X-Men—Black Panther has arguably the most cogent overall narrative. (more…)
Movies I missed some pretty big movies this year. Just like the previous year. And the year before that. And the year before the year before that. And the year … Continue reading 2017: Movies & Music Year-end List
Suck it up Raimi fanboys! Finally got around to watching The Amazing Spider-Man. Oh boy is it great! Not only is it a reboot, it’s also an update, an upgrade, … Continue reading Looking Back at Marc Webb’s Amazing Spider-Man
Can’t say I’m not the least bit excited about Avengers: Infinity War. It is after all an Avengers movie. Something I have always looked forward to more than any other … Continue reading 13 Reasons Why I’m (Not) So Excited About Avengers: Infinity War
Warning: Some Lou Ferrigno-sized spoilers ahead “What are you, god of hammers?” Odin asks Thor at one point in the movie. Then Thor does his thunderbolt thing and we’re treated … Continue reading Thor: Ragnarok — Some Loud Thunder
With the release of Thor: Ragnarok, Marvel has now churned out seventeen movies. Yep, that’s right. Seventeen fuckin’ Marvel movies and almost all of them widely popular with both critics … Continue reading Ranking All MCU Movies from Iron Man to Ragnarok
Deadpool reminded me of Spider-Man. Sam Raimi’s Spider-Man, that is. Deadpool was half the movie that Spider-Man was, but with enough adult things—humor, language, sex, violence—to make up for the … Continue reading Spider-Man: Homecoming (Jon Watts, 2017)
The Last of Wolverine No, I don’t think Logan is the greatest comic-book movie since The Dark Knight (which isn’t even great to begin with). But it’s probably the best … Continue reading Is ‘Logan’ The Best X-Men Movie?
Here’s what—should Marvel hire Quentin Tarantino and give him 100% free rein: It would be set in the near future where the world is enslaved by Loki and the formation … Continue reading What if Marvel gets Tarantino to do a Captain America spin-off?
I don’t get this bias towards serious comic book movies. A movie has some convincingly Oscar-worthy drama, then all of a sudden it’s the best comic book movie since The Dark Knight. People heap praises on these two movies yet no one bothers to mention Unbreakable, M. Night Shyamalan’s subdued superhero drama and follow-up to his more popular debut The Sixth Sense. Why cream your pants over Logan and not Deadpool? When Deadpool had more success at being irreverently funny than Logan did with its sob story. Don’t get me wrong, Logan is a fine movie. It probably has the most memorable portrayal of both Logan and Charles Xavier in all of X-Men movies. Logan’s old, resigned, half the beast he used to be while Xavier’s annoying, old, and sick, which makes him more dangerous. And I liked the dynamics between these two characters (the plot concerning the young mutants, not so much); like in the scene where Xavier needs to take a leak. And with a little detour, it is able to give what should have been the true essence of every X-Men movie—humans and mutants—which made the movie for me. But the movie’s really about X-23, old man Logan, and their kind of forced father-daughter drama, and those other young mutants—it is more than OK, but nothing to get too crazy about.
I’ve Seen Stranger Things Like Bruce Wayne in Batman Begins, Stephen Strange went to Asia looking for the cure (unbeknownst to the former doctor, the band resides in England—y’know, Three … Continue reading Doctor Strange (Scott Derrickson, 2016)
With great firepower comes great kick-ass finale
Damon Macready (Nicholas Cage) was a good cop out to get NY kingpin Frank D’Amico (Mark Strong)—who in turn framed him for drugs and got him incarcerated. Macready lost everything while in prison, save for his little girl—thanks to his buddy Sgt. Marcus Williams (who showed up in the movie for a few minutes just to read Macready’s first graphic novel and reveal what this movie is all about: Macready’s revenge). Of course, Macready has since returned. This time as the masked vigilante known as Big Daddy. Big Daddy together with Hit-Girl a.k.a. his now 11-year old daughter Mindy (Chloe Grace Moretz), are on to destroying D’Amico once again. They’re no super-heroes; they’re only out for blood. (more…)
The Top Secret World of Ant-Man I kept thinking. That this could have been funnier like Shaun of the Dead. That this could have been geekier like Scott Pilgrim. That … Continue reading Ant-Man (Peyton Reed, 2015)
Near the end of Wonder Woman, I couldn’t help but think of that hapless lady, who found Diana Prince hiding behind the shrubbery, and subsequently gave her dress to her. I wonder what happened to her. Or in case she’s well and alive, how would she explain to her friends, what happened there in the woods.
Of course, the whole thing happened off screen. After that, we see Diana enter the party in a long blue dress, the god-killer sword concealed behind her back. And this was after Diana was told that she “can’t do this, can’t do that”, for the nth time—with Steve Trevor and the rest of team leaving her alone in the woods. Some found this empowering, that throughout the movie, she does what she needs to do and not what she’s told, and the fact that this was helmed by a female director. While some noted the total absence of male gaze, totally refreshing. Me, I was ready to revamp my top ten superhero movie list. Was already thinking which among a number of movies—Joss Whedon’s The Avengers, Matthew Vaughn’s Kick-Ass, and Deadpool—should go down a notch or two.
Did I just make it sound like Wonder Woman is really an awesome movie? In parts, yes, it is awe-inspiring—more than some of the more popular superhero movies (i.e., The Avengers, Civil War, The Dark Knight). The other time Diana was told she can’t do something—that she can’t save those people caught in the crossfire—I literally had to pick both my heart and jaw up from the floor. (more…)
Before The Avengers became Marvel’s biggest hit (to the tune of $1.5B), Joss Whedon was asked about making Avengers 2 and gave his thoughts on what makes a better sequel. … Continue reading Guardians of the Galaxy Vol. 2 Is the Joss Whedon Sequel We Never Had