There’s probably a lot less at stake in Spider-Man: Far From Home than the last few MCU movies, but Spidey’s second solo MCU outing understands what most Marvel superhero movies don’t: that it takes a lot to beat a super-villain, physically, mentally, and emotionally. Continue reading “Spider-Man: Far From Home (2019)”→
After Avengers: Endgame, there’s only one (comic book) movie that gets me excited like first date, one movie that I’m really really looking forward to: Deadpool 3. And I check the news almost every day. And every time I search for news, all I get are click-baits, misleading headlines, and dead-ends. Continue reading “How long till we finally get Deadpool 3?”→
Endgame is over now. Thank you, Tony Stark, you’re the one who started it all. In a cave. In Afghanistan. Back in 2008. It was that long ago. If you could still remember, there were two big comic book movies in 2008. and if I have to pick between the two, for me, Iron Man is 2008’s comic book movie of the year. Continue reading “Ranking All MCU Movies from Iron Man to Avengers: Endgame”→
Avengers: Endgame Is The Super Duper $@%!#& Season Finale of the Year
The End Is The Beginning Is The End
Avengers: Endgame isn’t “the best MCU movie or the best superhero movie since (insert your preference here),” but it does what it has to do, “whatever it takes.” Even if that means Endgame makes for an unwieldy, ponderous, pandering, uneven, thrilling ride. It’s a crowd-pleaser and super duper entertaining. Continue reading “Avengers: Endgame (2019)”→
The Avengers (2012). The cataclysmic results of Loki’s entrance in a S.H.I.E.L.D. base was somewhat off-putting, sort of Michael Bay-like, but the movie regains my trust the moment Black Widow and Bruce Banner show up. At the start, Steve Rogers has nothing for Tony Stark but contempt, for Nick Fury and SHIELD, distrust. Continue reading “The Avengers (2012)”→
Iron-Man (2008). This is where it all begun, the Mark I of all Marvel movies. This is the movie where Marvel–after deciding to make their own movies based on characters they haven’t sold yet–finally hammers it home. In a cave. In Afghanistan. Tony Stark’s billionaire-genuis-playboy suits Robert Downey Jr. perfectly in the same the way the red and gold weaponized armor suit fits Tony Stark. Continue reading “Iron Man (2008), The Incredible Hulk (2008), Thor (2011)”→
The first Ant-Man, though admittedly a “small” movie, box-office-wise, is actually one of the less problematic movies in MCU’s Phase Two. Ant-Man benefited from the groundwork laid down by Edgar Wright and what dramatic and comedic bits were added later on by its eventual director Peyton Reed and the other writers. Of course there’s the strong performances by Paul Rudd and the rest of the cast. Continue reading “Ant-Man & the Wasp (2018)”→
‘Aquaman’ Pulls Off Something Beautiful Out of DCEU’s Grim Dark Ass
There’s a fair amount of cheese and a fair amount of fun to be had in Aquaman. Whether it’s characters shouting their silly names (Call me Ocean Master! I’m Black Manta!), or Jason Momoa seemingly just having fun almost the entire time, or director James Wan letting slip a few scenes where Amber Heard couldn’t even clearly say her lines, Aquaman is a movie that reminds the audience so often that “this is just a movie.” Continue reading “Aquaman (2018)”→
Wonder why I couldn’t like this movie more. It’s well made, has a unique look, the right amount of heart, and nice-looking set pieces and action scenes. Found it boring at first, gave it a second look and found Joe Johnston’s efforts, quite admirable, though still not a knock down punch. Maybe because it’s just so predictable. I already knew Cap’s only gonna end up frozen, he’s not gonna die. Continue reading “Captain America Trilogy”→
The Old, Cheesy, Amazing, Friendly Neighborhood Spider-Man
Marvel’s continuity shtick, one where various comic book characters and stories exist in one universe, used to be confined within comic book realms. In the early 2000s, there was no such universe and comic book movies were one-shot deals. Sequels were never planned and if a movie isn’t successful enough, then it joins the ranks of those one-off comic book movies: Hulk, Daredevil, The Punisher, Elektra, LXGContinue reading “Revisiting Sam Raimi’s ‘Spider-Man’”→
Avengers: Infinity War opens with a distress call—actually a massacre, off-screen. And it’s only fitting that after Marvel’s most outrageously hilarious movie comes tragedy. I’m referring to Thor: Ragnarok, of course, which ended with Thor, Loki, Heimdall, Hulk and the rest of the Asgardians aboard The Mastermind’s fancy ship. Continue reading “‘Avengers: Infinity War’ Is One Big Superhero Movie Climax”→
Couldn’t we just like them both? Be excited for both? Eggsactly. But where’s the fun in that? Also, these are two very different superhero movies. Two movies that operate on very different levels. So let’s contrast and compare.
Wasn’t really planning to watch Black Panther. Afraid that this steady diet of tentpole superhero movies has nothing but replaced my enthusiasm for “something different” with disappointments and lowered expectations. But the hype and raves came overflowing that my Spider-sense started tingling. Continue reading “Black Panther (2018)”→
I missed some pretty big movies this year. Just like the previous year. And the year before that. And the year before the year before that. And the year before the year before… Oh, this could go on forever. By “pretty big”, I mean movies like Blade Runner 2049 and Christopher Nolan’s Dunkirk. Or the last Star Wars movie. Continue reading “2017: Movies & Music Year-end List”→
Finally got around to watching The Amazing Spider-Man. Oh boy is it great! Not only is it a reboot, it’s also an update, an upgrade, both, of the Spider-Man mythos we’re mostly familiar with. The guys behind this movie definitely went the extra mile (or extra swing) to give the fans more than what was promised. Continue reading “Looking Back at Marc Webb’s Amazing Spider-Man”→
Can’t say I’m not the least bit excited about Avengers: Infinity War. It is after all an Avengers movie. Something I have always looked forward to more than any other series or sub-franchise in the ongoing Marvel universe. Outside of the Guardians of the Galaxy, of course.
One reason I’m not too excited about Infinity War is that the Russos are directing it. And the writers of Captain America trilogy are the guys behind the script (Edit: They also wrote The Dark World, which I actually liked, but y’know Joss Whedon also had a hand on it). Sure, Civil War had some funny, sometimes witty back and forths, but it’s not the same as when Joss Whedon was still Marvel’s go to guy. Of course, Age of Ultron was a massive let down but so was Civil War. Continue reading “13 Reasons Why I’m (Not) So Excited About Avengers: Infinity War”→
“What are you, god of hammers?” Odin asks Thor at one point in the movie. Then Thor does his thunderbolt thing and we’re treated to what might be the coolest battle sequence in the whole Marvel Cinematic Universe since Scott Lang turned into Giant-Man, or since Peter Quill made a giant Pac-Man to the tune of Fleetwood Mac’s “The Chain”. Continue reading “Thor: Ragnarok (2017)”→
With the release of Thor: Ragnarok, Marvel has now churned out seventeen movies. Yep, that’s right. Seventeen fuckin’ Marvel movies and almost all of them widely popular with both critics and fans, almost all of them hit big at the box office. But not all of them are great or good. There are few stinkers and there are a few gold. The list below starts with the stinkers with the movies listed in descending order. Continue reading “Ranking All MCU Movies from Iron Man to Ragnarok”→
Deadpool reminded me of Spider-Man. Sam Raimi’s Spider-Man, that is. Deadpool was half the movie that Spider-Man was, but with enough adult things—humor, language, sex, violence—to make up for the lacking half.
No, I don’t think Logan is the greatest comic-book movie since The Dark Knight (which isn’t even great to begin with). But it’s probably the best X-Men movie yet. I used to agree with the general consensus that X2 was the best of the lot, but Logan is also a remarkable movie and it gets Wolverine right. And that for me, says a lot. Continue reading “Is ‘Logan’ The Best X-Men Movie?”→
Here’s what—should Marvel hire Quentin Tarantino and give him 100% free rein:
It would be set in the near future where the world is enslaved by Loki and the formation of Avengers never happened. Why? Because a deadly assassin killed Nick Fury in the ’70s. Doctor Strange would send Captain America back in time to stop the assassination.
Fury would be portrayed by Samuel L. Jackson in Jheri curl. He still has two good eyes, but he’ll lost one by the end of the movie. Cap would have few but important lines; Samuel L. Jackson would do most of the talking.
To get to Fury, Cap would need to hook up with hookers, nuns with guns, and sexy spies. Expect lots of T&A and few glimpses of untrimmed hair because this is the ’70s! Cap’s magic shield wouldn’t work in this movie; he has to do a lot of heavy action scenes and sweaty bed scenes without CGI, green-screen, shaky cam and frantic editing.
There would be a scene where SHIELD’s Agent Skye shows Cap her voluptuous… vinyl collection. And Cap would unsheathe and play her delicate… Delfonics LP. Off-screen, she’d be heard whispering OMG’s ever so softly.
The assassin’s identity would be revealed as Cap, Fury, and Skye find themselves on the wrong end of a brutal fight. Cap would do the ultimate sacrifice to save Fury. (Cap dies during climax.) The assassin would escape through a time portal created by Doctor Strange.
Epilogue: Present day. Bucky opens the door and enters his apartment, groceries on both hands. He finds Fury waiting inside with gun aimed at him.
Bang! Bucky’s hit between the eyes and falls on the floor.
A rodent crawls across the window.
Roy Buchanan’s “Sweet Dreams” fades in. Black screen. Credits.
I don’t get this bias towards serious comic book movies. A movie has some convincingly Oscar-worthy drama, then all of a sudden it’s the best comic book movie since The Dark Knight. People heap praises on these two movies yet no one bothers to mention Unbreakable, M. Night Shyamalan’s subdued superhero drama and follow-up to his more popular debut The Sixth Sense. Why cream your pants over Logan and not Deadpool? When Deadpool had more success at being irreverently funny than Logan did with its sob story. Don’t get me wrong, Logan is a fine movie. It probably has the most memorable portrayal of both Logan and Charles Xavier in all of X-Men movies. Logan’s old, resigned, half the beast he used to be while Xavier’s annoying, old, and sick, which makes him more dangerous. And I liked the dynamics between these two characters (the plot concerning the young mutants, not so much); like in the scene where Xavier needs to take a leak. And with a little detour, it is able to give what should have been the true essence of every X-Men movie—humans and mutants—which made the movie for me. But the movie’s really about X-23, old man Logan, and their kind of forced father-daughter drama, and those other young mutants—it is more than OK, but nothing to get too crazy about.
Like Bruce Wayne in Batman Begins, Stephen Strange went to Asia looking for the cure (unbeknownst to the former doctor, the band resides in England—y’know, Three Imaginary Boys, 1979). Unlike Christian Bale’s Wayne, Benedict Cumberbach’s Dr. Strange has a slick sense of humor (“Just Wong?… Like Adele… Or Aristotle? Drake? Bono? Eminem…”) Continue reading “Doctor Strange (2016)”→
Damon Macready (Nicolas Cage) was a good cop out to get NY kingpin Frank D’Amico (Mark Strong)—who in turn framed him for drugs and got him incarcerated. Macready lost everything while in prison, save for his little girl—thanks to his buddy Sgt. Marcus Williams (who showed up in the movie for a few minutes just to read Macready’s first graphic novel and reveal what this movie is all about: Macready’s revenge). Continue reading “Kick-Ass (2010)”→
I kept thinking. That this could have been funnier like Shaun of the Dead. That this could have been geekier like Scott Pilgrim. That there could have been more inventive fight scenes—had Edgar Wright stayed to finish what he started. Just take Luis’ (Michael Peña) crafty way of telling his stories, for example, or the many times where Ant-Man fights, shrinks and puffs up Continue reading “Ant-Man (2015)”→
Near the end of Wonder Woman, I couldn’t help but think of that hapless lady, who found Diana Prince hiding behind the shrubbery, and subsequently gave her dress to her. I wonder what happened to her. Or in case she’s well and alive, how would she explain to her friends, what happened there in the woods. Continue reading “Wonder Woman (2017)”→