James Gunn’s return to the big screen marks the long awaited return of your favorite anti-heroes, A-holes, criminals. The Guardians of the Ga… Oh, wait, it’s from the other universe. They’re called Suicide Squad. No, THE Suicide Squad. And it’s the best comic-book/superhero movie (if you ask me) since Deadpool 2. Assembled from a group of dangerous supervillains, the US government sent The Suicide Squad to Corto Maltese, an island-country in South America, where the new government (“virulently anti-American”) is “suspected” to be in possession of alien technology equivalent to “weapons of mass destruction.” The movie’s full of zip from the get-go. From one character drowning, to one getting shot like Boltie (Super), to the squad unknowingly killing those who were part of the resistance—what fun would this be if there isn’t a series of fuck-ups, right? This has perhaps the best in-movie appearance of Margot Robbie’s Harley Quinn. And John Cena was somehow able to inject some Chris Hemsworth-like ‘complexity’ into his butt-end-of-the-joke version of Captain America. The extended and massive third act may be lacking a little more tension, but it didn’t run out of energy. While it is another one of those final battles with massive destruction and collateral damages, props to Gunn for making it one bizarre colorful mix of blood and viscera. Only Gunn would’ve come up with this brightly colored Lovecraftian kaiju, this side of Godzilla. Bloodsport’s and Ratcatcher II’s father-daughter pairing doesn’t quite reach GotG-levels, but I really like how the movie is about “American supersoldiers in foreign soil,” in a very un-MCU kind of way. The movie addresses the issue in ways the MCU just won’t.
Took a full day off today. Still nursing a mild headache, probably from getting slightly more sleep than the usual, and took paracetamol for wrist joint pain that awoke me last night. It’s probably gout (Shit! We’re getting old). And it’s probably due to eating too much meat because we don’t have much Continue reading “Daredevil Season 1, The Suicide Squad, and The Falcon And The Winter Soldier (is one long boring title)”
We’re Cancelling The Apocalypse!
If there’s one movie that had me preoccupied for most of March and April, that would be Endgame, Avengers: Endgame. And I saw it on its opening day. And we did no online reservation whatsoever. Just went to one cinema far from the city, where online reservations and reserve seating aren’t still a thing. And Boom! Tony Stark died. Continue reading “Movie Re-watch: Assault On Precinct 13, Slither, Samurai X, Pacific Rim”
Endgame is over now. Thank you, Tony Stark, you’re the one who started it all. In a cave. In Afghanistan. Back in 2008. It was that long ago. If you could still remember, there were two big comic book movies in 2008. and if I have to pick between the two, for me, Iron Man is 2008’s comic book movie of the year. Continue reading “Ranking All MCU Movies from Iron Man to Avengers: Endgame”
I missed some pretty big movies this year. Just like the previous year. And the year before that. And the year before the year before that. And the year before the year before… Oh, this could go on forever. By “pretty big”, I mean movies like Blade Runner 2049 and Christopher Nolan’s Dunkirk. Or the last Star Wars movie. Continue reading “2017: Movies & Music Year-end List”
With the release of Thor: Ragnarok, Marvel has now churned out seventeen movies. Yep, that’s right. Seventeen fuckin’ Marvel movies and almost all of them widely popular with both critics and fans, almost all of them hit big at the box office. But not all of them are great or good. There are few stinkers and there are a few gold. The list below starts with the stinkers with the movies listed in descending order. Continue reading “Ranking All MCU Movies from Iron Man to Ragnarok”
Before The Avengers became Marvel’s biggest hit (to the tune of $1.5B), Joss Whedon was asked about making Avengers 2 and gave his thoughts on what makes a better sequel. He said that the sequel should go smaller, more personal, instead of just repeating what worked in the first. Then came Avengers: Age of Ultron—it’s not quite the kind of sequel Whedon said he’d like to make. Continue reading “Guardians of the Galaxy Vol. 2 Is the Joss Whedon Sequel We Never Had”
Spider-Man 2 (2004). In the comics, later in the story, it is revealed that Aunt May knew all along that Peter is Spider-Man. That she secretly knew his secret. That this is hinted at in the movie, is one of those little things that made this adaptation great. That Aunt May is given her own kick-ass moment, teaming up with Spidey to beat Doc Ock, is another. Of course, there’s the great train sequence, the bank heist, Doc Ock’s Evil Dead moment, and don’t forget, J.K. Simmons as the blustering J. Jonah Jameson.
Hellboy II: The Golden Army (2008). This is one visually stunning film. The troll market is a hoot. The fate of the last forest god is both tragic and beautiful. On top of that, the film’s main conflict isn’t just simplistic good vs. evil—Prince Nuada has good reasons to break the truce. Remember the part where they drink beer and sing along to Barry Manilow? Yeah, this movie’s quite funny too.
Guardians Of The Galaxy (2014). It’s a good mix of action, comedy and drama—not over serious but not just mindless fun either. From the opening song and dance number down to the other song and dance numbers before and mid-credits, this movie about a band of misfits saving the world is a winner! And probably the danciest superhero movie of all. The best MCU movie? Yes—beats The Avengers by a hair and way way better than Civil War.
Batman Returns (1992). Tim Burton isn’t much about inventive fight scenes than he is about texture, the elaborate Gothic sets, the quirky and oftentimes grotesque characters. What it does lack in action, it makes up with style and wit (i.e., Penguin’s weaponized umbrella, Selina Kyle’s taser-kiss). Add to that the deliciously insane script and the great cast—Danny De Vito, Christopher Walken, Michelle Pfieffer—and you got the best adaptation of the Caped Crusader’s plight.
Spider-Man (2002). Compared to more recent movies, this may seem a little too straightforward now—more like a comic book primer, a one-shot. But that’s only because it is the prototype, which others would later try to improve on. Some movies upped the action (Kick-Ass), some, the comedy (Deadpool) but Sam Raimi’s Spider-Man, where Peter Parker learns that “with great power comes great responsibility”, remains the all around better origin movie.
The Avengers (2012). After two Hulk movies that were just okay, here’s that Hulk movie we all really need. I remember not being so excited about this before it came out. That all the movies that lead to this movie were just okay—the talky Iron Man sequel, Cap’s WWII origin and Thor‘s uneventful Asgard—was enough for me to lower my expectations. Thus, seeing the Earth’s mightiest in one awesome movie—thanks to Joss Whedon—was such a huge marvelous surprise.
Deadpool (2016). Merc with a Mouth’s origin story is part Spider-Man redux, part corrective to the atrocious Wolverine origin and the closest a comic-book movie comes to approximating Monty Python and the Holy Grail-type of craziness (though it’s not even close). Green Lantern is quite good as Deadpool and he’s got Serenity‘s feisty muse as his girl next door.
Kick-Ass (2010). Also known as Big Daddy’s Revenge (With A Little Help From Kick-Ass). Because. It’s all about revenge. And Matthew Vaughn’s stylish action sequence. Never mind the premise; or the first half; or Dave Lizewski’s thought balloons about being a superhero. You’ll forget about them anyway, once you see Hit-Girl (Chloe Grace Moretz) take on Big Boss Frank D’Amico in a brutal hand-to-hand combat in the movie’s kick-ass finale.
Super (2010). The genre deconstruction that Kick-Ass hardly was—James Gunn’s pre-MCU superhero black comedy features the pipe-wrench wielding vigilante who calls himself The Crimson Bolt and his far more unhinged side-kick Boltie. It’s dark, funny and gritty. Tired of the family-friendly and passable entertainment from Disney? Or the trying hard to be dark and edgy DC movies? This one’s for you.
Jay & Silent Bob Strike Back (2001). I was one movie short of making this a top ten list. So I thought of another movie which I really like. Then, I remembered this—Kevin Smith’s movie about Jay and Silent Bob going to Hollywood to stop the adaptation of Bluntman and Chronic into the big screen. It’s trashy and amateurish, which is typical of Smith’s movies. A must-see if you’re a fan of Smith’s.