TBA Productions and Jerrold Tarog reached a “new high” with Goyo: Ang Batang Heneral. It’s generally well recieved by both audience and critics. Goyo: Ang Batang Heneral is longer, bigger, slower, crispier, brighter, lighter than its predecessor—the flag-burning, blood boiling, gushing, fist-pumping, hatemongering, frothing at the mouth Heneral Luna. Is it better? Continue reading “Goyo: Ang Batang Heneral (2018)”→
I started this list and wrote the draft in early September, feared that Jose Mari Chan’s cool as breeze and soothing voice would soon invade the airwaves and mind-erase the best movies I’ve seen this year. The original list was longer and includes flicks I don’t think so highly about (i.e., Black Panther) but I like to keep it short this time and include only my favorite films. Continue reading “Favorite Movies of 2018”→
Thought ‘Goyo’ was already the worst well-received movie of the year. But after watching Erik Matti’s latest, I guess we now have a winner. BuyBust/Anne Curtis rips Goyo/Paulo Avelino’s pretty face to shreds. Gloriously. Imagine that. Would probably make a good movie.
Save for one action sequence fueled by a punk rock song, where Anne Curtis tries to ward off the angry wives and mistresses of Gracia Ni Maria using an aluminum palanggana while Brandon Vera does the same with an umbrella, Erik Matti’s BuyBust is just endless gunfights and hand to hand combat that range from sloppy to well-executed, some rapid fire editing, some shaky cam, some unsustained tension, plenty of senseless violence (i.e., one poor lady got her head cut off), and lots of dead cops, henchmen, and poor civilians. Continue reading “BuyBust (2018)”→