Kick-Ass (Matthew Vaughn, 2010)

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With great firepower comes great kick-ass finale

Damon Macready (Nicholas Cage) was a good cop out to get NY kingpin Frank D’Amico (Mark Strong)—who in turn framed him for drugs and got him incarcerated. Macready lost everything while in prison, save for his little girl—thanks to his buddy Sgt. Marcus Williams (who showed up in the movie for a few minutes just to read Macready’s first graphic novel and reveal what this movie is all about: Macready’s revenge). Of course, Macready has since returned. This time as the masked vigilante known as Big Daddy. Big Daddy together with Hit-Girl a.k.a. his now 11-year old daughter Mindy (Chloe Grace Moretz), are on to destroying D’Amico once again. They’re no super-heroes; they’re only out for blood.

Elsewhere, there’s Dave Lizewski (Aaron Taylor-Johnson) and his friends wasting time geek-talking about superheroes—how no one’s attempted to wear the mask and fight crime in real life. When Dave finally decided to don the green unitard and take on the streets, the results ranged from “nothing happens” to downright bone-crushing. In other words, he got his own ass handed to him a few times. And then he went viral and eventually conquered MySpace. (MySpace, of course, would eventually lost to Facebook, as can be seen in David Fincher’s brilliant Mark Zuckerberg movie, The Social Network.)

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I can make my own graphic novel out of screenshots from this movie!

On the side, there’s Lyndsy Fonseca as Katie Deauxma, the requisite (not that I’m complaining) love interest, Dave’s long-time crush and Kick-Ass‘s own MJ (an improvement over Spider-Man‘s Kirsten Dunst).

When Big Daddy and Hit-Girl finally crossed paths with Kick-Ass, Dave’s super-heroics took a backseat, together with his (and the movie’s) thought balloons about superheroes, comic books and genre deconstruction. And this is when Kick-Ass shifted gears into a straight action movie.

But what an ass-kicking action movie it is. Fluid cameraworks, great fight choreography, Matthew Vaughn’s cartoonishly violent action sequence—that’s what really sets this apart from other comic-book movies. Christopher Nolan’s Batman action scenes would look like something from a Kevin Smith movie if you compare them. While Vaughn’s spy movie Kingsman: The Secret Service (2015), could shred every James Bond movie from the last ten years to pieces if it wants to, Kick-Ass makes most of MCU movies look “strictly for kids”.

The best sequence of them all, the movie’s dramatic high point, is when Hit-Girl rescues Big Daddy and Kick-Ass from D’Amico’s men—Big Daddy’s burning and tied to a chair, shouting coded instructions (e.g., Go to Robin’s Revenge!) while Hit-Girl takes the henchmen down one by one. The sequence packs so much emotions, bullets, blood and style (i.e., POV shots, fast cuts and glorious slo-mos) and brings to mind bits from the best John Woo movies (i.e., The Killer, Hard Boiled).

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Another hallmark of a good action movie? The main villain, Frank D’Amico, has the best fuckin’ lines (e.g., God, I wish I had a son like you).

When all is said and done, it’s all about revenge. And Matthew Vaughn’s stylish action sequence. Nevermind its premise, or the first half, or Dave Lizewski’s thought balloons about being a superhero. You’ll forget about them anyway, once you see Hit-Girl engage Frank D’Amico in a brutal hand-to-hand combat in the movie’s kick-ass finale. And don’t forget, the part with that “one weird sounding bazooka” is a total winner.

No, Kick-Ass, though more kick-ass than Deadpool, doesn’t quite work on a similar level of either Super or Deadpool. Not a send-up or anything. It’s just a straight shoot-and-slice-’em-up revenge story disguised as comic book movie about comic books and superheroes. No chimi-fuckin-changas—just first-rate action movie is what it is.

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X-Men Origins: Wolverine (Gavin Hood, 2009)

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When it comes to the worse Marvel-based movies, the B-grade X-Men Origins: Wolverine is easily among the front-runners. As a comic-book movie, Wolverine is one serious offender. It has no regards for a lot of things: the first X-Men movie (where Sabretooth appeared), the Weapon X series, the other X-Men characters (i.e., Gambit, Deadpool). But outside its irreverence, is a somewhat tightly constructed B-movie (particularly the first half) that knows its own thrills. If you think about it, the story was nothing more than a silly excuse to get Logan in Wolverine-mode. As a low budget action movie (they didn’t even bother to get back Brian Cox to play Stryker), it actually works—kind of. While there are still plenty to ask for in Hugh Jackman’s portrayal of Wolverine (he’s too soft, too pretty), at least his own movie is so bad—ass; not only does it cut its ties with both comics and other X-Men movies with ease (talk about the script’s adamantium quality), it also almost killed and forever shut-up the one exciting character that Fox has: the snarky anti-hero known as Merc with a Mouth.

Rants/Raves: Top 10 Superhero Movies

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Spider-Man 2 (2004). In the comics, later in the story, it is revealed that Aunt May knew all along that Peter is Spider-Man. That she secretly knew his secret. That this is hinted at in the movie, is one of those little things that made this adaptation great. That Aunt May is given her own kick-ass moment, teaming up with Spidey to beat Doc Ock, is another. Of course, there’s the great train sequence, the bank heist, Doc Ock’s Evil Dead moment, and don’t forget, J.K. Simmons as the blustering  J. Jonah Jameson.

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Hellboy II: The Golden Army (2008). This is one visually stunning film. The troll market is a hoot. The fate of the last forest god is both tragic and beautiful. On top of that, the film’s main conflict isn’t just simplistic good vs. evil—Prince Nuada has good reasons to break the truce. Remember the part where they drink beer and sing along to Barry Manilow? Yeah, this movie’s quite funny too.

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Guardians Of The Galaxy (2014). It’s a good mix of action, comedy and drama—not over serious but not just mindless fun either. From the opening song and dance number down to the other song and dance numbers before and mid-credits, this movie about a band of misfits saving the world is a winner! And probably the danciest superhero movie of all. The best MCU movie? Yes—beats The Avengers by a hair and way way better than Civil War.

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Batman Returns (1992). Tim Burton isn’t much about inventive fight scenes than he is about texture, the elaborate Gothic sets, the quirky and oftentimes grotesque characters. What it does lack in action, it makes up with style and wit (i.e., Penguin’s weaponized umbrella, Selina Kyle’s taser-kiss). Add to that the deliciously insane script and the great cast—Danny De Vito, Christopher Walken, Michelle Pfieffer—and you got the best adaptation of the Caped Crusader’s plight.

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Spider-Man (2002). Compared to more recent movies, this may seem a little too straightforward now—more like a comic book primer, a one-shot. But that’s only because it is the prototype, which others would later try to improve on. Some movies upped the action (e.g., Kick-Ass), some, the comedy (e.g., Deadpool) but Sam Raimi’s Spider-Man, where Peter Parker learns that “with great power comes great responsibility”, remains the all around better origin movie.

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The Avengers (2012). After two Hulk movies that were just okay, here’s that Hulk movie we all really need. I remember not being so excited about this before it came out. That all the movies that lead to this movie were just okay—the talky Iron Man sequel, Cap’s WWII origin and Thor‘s uneventful Asgard—was enough for me to lower my expectations. Thus, seeing the Earth’s mightiest in one awesome movie—thanks to Joss Whedon—was such a huge marvelous surprise.

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Deadpool (2016). Merc with a Mouth’s origin story is part Spider-Man redux, part corrective to the atrocious Wolverine origin and the closest a comic-book movie comes to approximating Monty Python and the Holy Grail-type of craziness (though it’s not even close). Green Lantern is quite good as Deadpool and he’s got Serenity‘s feisty muse as his girl next door.

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Kick-Ass (2010). Also known as Big Daddy’s Revenge (With A Little Help From Kick-Ass). Because. It’s all about revenge. And Matthew Vaughn’s stylish action sequence. Never mind the premise; or the first half; or Dave Lizewski’s thought balloons about being a superhero. You’ll forget about them anyway, once you see Hit-Girl (Chloe Grace Moretz) take on Big Boss Frank D’Amico in a brutal hand-to-hand combat in the movie’s kick-ass finale.

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Super (2010). The genre deconstruction that Kick-Ass hardly was—James Gunn’s pre-MCU superhero black comedy features the pipe-wrench wielding vigilante who calls himself The Crimson Bolt and his far more unhinged side-kick Boltie. It’s dark, funny and gritty. Tired of the family-friendly and passable entertainment from Disney? Or the trying hard to be dark and edgy DC movies? This one’s for you.

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Jay & Silent Bob Strike Back (2001). I was one movie short of making this a top ten list. So I thought of another movie which I really like. Then, I remembered this—Kevin Smith’s movie about Jay and Silent Bob going to Hollywood to stop the adaptation of Bluntman and Chronic into the big screen. It’s trashy and amateurish, which is typical of Smith’s movies. A must-see if you’re a fan of Smith’s.

Deadpool (Tim Miller, 2016)

PhotoGrid_1467207022180Midway through the film’s title sequence, it occurred to me – this could be the Captain Deadpool and the Oily Grail of all comic book and superhero movies! Only, it didn’t turn out to be.

Minutes later, Deadpool segues into the highway scene we’re already familiar with – the one where he jumps into a van full of bad guys who in the hands of the Merc with a Mouth, will soon suffer or die in outrageously violent and sometimes funny ways. From there, Deadpool goes about his origin story through a few flashbacks, encounters the two X-men who would become his sidekicks and then assures the audience that his movie is actually a love story. Much like Peter Parker’s story years before, this is also about a girl – Vanessa, played the very hot Morena Baccarin.

It’s definitely inferior to Spider-Man, but it is also lots of fun. Deadpool is irreverent, self-aware, shockingly juvenile and does with plenty of violence. Our titular character also breaks the fourth wall every once in a while. That said, it still feels lacking and tame in some way as compared to some recent films of the genre. James Gunn’s Super is far crazier; his Guardians of the Galaxy has that one sequence that’s infinitely funnier than anything here (not to mention that it’s followed by a touchingly poignant final battle). In terms of action and violence, Matthew Vaughn’s Kick-Ass is more, uhm, kickass – fluid camerawork, great choreography and a boss fight that’s brutal as fuck. And despite Deadpool‘s hard R-Rating, the nudity is of the blink-and-you-miss-it variety. No, exposed butt doesn’t count.

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Okay, Deadpool may not have that many wow moments, but on the plus side, the fight scenes are mostly coherent – better than in any of those Michael Bay atrocities, better than the expertly choreographed, but poorly shot and badly edited fight scenes we saw in Captain America: The Winter Soldier.

For what it is, which is an adequately faithful adaptation of the comics, Deadpool is ultramega OK. “The real heroes here” did a fine job taking from a variety of source materials, putting in the right amount of Deadpool-ness they need and adding their own sensibilities to come up with their own definitive version of the fourth-wall breaking Merc. The result is a film that ticks all the fanboys’ check boxes and hardly strays from the character’s established conventions, which are not quite conventional – at least within the current trend in comic book movie adaptations.

Of all the in-jokes and pop culture references here, his jab at Hugh Jackman/Wolverine is the one I like the most. A character Fox love so much – Wolverine appeared on almost every X-Men movie and pretty much shoved everyone else to the sidelines. And yet, six movies in and Wolverine still has to make one memorable onscreen kill.

Deadpool – 10, Wolverine – 0

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