My 10 Favorite Records of the 2010’s

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You can never quarantine the past

Not intending this to be a quasi best of list. Just ten albums I liked/loved more than the others. All which came out between 2010 and last year. Maybe this is more of a personal chart, what music songs records I’ve been listening to for the last ten years. And this doesn’t even include those which were made in the ’90s and the 2Ks. Continue reading “My 10 Favorite Records of the 2010’s”

20 Songs from the 2010’s (Part Deux)

Stephen Malkmus at The Forum

Better Off / Guijo St. (Makes You Wonder) – Apartel (2016)
Apartel is Ely Buendia and the gang in full soul/funk/R&B mode. If I remember correctly, Ely once said that he can’t do R&B. Maybe, RnB or contemporary R&B (i.e., South Border, Freestyle, Beyonce, Rihanna) was what he meant because here he is doing exactly that, producing good, if not be for everyone, funky music. Continue reading “20 Songs from the 2010’s (Part Deux)”

Chumped – Teenage Retirement (2014)

teenageChumped’s Teenage Retirement is for the young and restless, even the young at heart, those who dance to punk, power pop, anything with fuzz as long as its fast, melodic, those who love getting drunk with friends, talk about their “shitty” lives, teenage woes. It’s an unhealthy mix of broken hearts, drunken nights, wasted time, melodic punk and emo. Perfect picture of bad health, according to one Green Day song. They may sound a bit like Paramore but they take much much more from their heroes—among them Weezer and Superchunk—more than they do second-hand post-hardcore stuff. And no, Anika Pyle doesn’t agonize and yells as much as Hayley girl does. And while Superchunk and Weezer may be their heroes, I guess this all goes back to Boston—Massachusetts, not the band (i.e., More Than A Feeling). Because every time I play “December…” I can’t help but hear Joey Santiago and Kim Deal. And whether it transcends emo-punk or not, “The Pains of Being…” with its sparse lyrics (We get older / Time moves faster / You stay the same) and intertwining guitars that echoes both Pavement and Built To Spill, is probably the album’s most repeat-worthy track. And it breaks my heart that they’ve already called it quits, in same way that my 16 year-old self bleeds a little bit every time she sings “I’m looking at you / You’re looking through me / I would wait for you all summer long and / you would turn me away.” I, WE all know how that feels.