Rivermaya never got rejected by record labels because their songs weren’t “pop enough.” They never experienced selling tickets only so they could play in Club Dredd. If there’s anything naysayers had to say about Rivermaya, it’s that they were manufactured (they were the brainchild of Chito Roño and Liza Nakpil), they never toiled the underground and thus lacks street cred when compared to Club Dredd and Mayric’s alums like Alamid, Yano, Teeth & Eraserheads. In that sense, they were more like the Introvoyz. Only they’re better than Introvoyz at everything—charisma, songwriting, creativity, etc.
Rivermaya is also known for their perpetually shifting line-up. First, Perf de Castro was gone, then Bamboo. Then, the band made what I consider two of the best rock albums from our shore. Then, Nathan Azarcon left and three new members came in. During the ’90s, Rivermaya was the de facto number two band behind the Eraserheads. After Eheads’ “graduation time” in 2002, Rivermaya were finally the numero uno. But Rico Blanco & Co.’s reign was rather short as “Noypi” announced the return of Bamboo, which features two former bandmates Nathan and Bamboo. Needless to say, by the mid-aughts, Bamboo was just more popular than Rivermaya 2.0. (more…)