Deadpool 2’s X-Force Assemble Is Better Than Avenger’s Infinity War

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There are no Infinity McGuffins in Deadpool 2, no superheroes fighting for the fate of the universe. What it does have is an unkillable motor-mouthed anti-hero, who clearly doesn’t want to get upstaged by other characters inside and outside his own movie. And that makes Deadpool 2, arguably, better than Infinity War. Or does it? Let’s see.

Avengers: Infinity War was years in the making: multiple movies built around the Infinity Stones, Avengers team up and break up, and some Thanos mid-credits teasers. After months of watching trailers, trailer breakdowns and speculations about plot, character deaths and what-not, Avengers: Infinity War is finally over. *sigh* And it left you with more questions than answers, left you overjoyed and exhausted at the same time but most importantly, more hyped than ever.

Avengers: Infinity War, then, is like premature ejaculation. After months of anticipation, it came too quickly just when it’s starting to feel good. And you can’t do anything about it other than wait. Until the the next movie comes.

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Thor’s New Hammer, Iron Man’s Gundam Suit and Other Great Things In ‘Avengers: Infinity War’

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Avengers: Infinity War is far from perfect. But then it could have been worse, like The Matrix: Revolutions or Pirates of the Caribbean: Dead Man’s Chest. Good thing it’s more like Back to the Future II. Someone said it should have been a three-part movie. Well, dude’s got a point. Because the storytelling felt rushed. Me, I only wished it was longer. Story-wise, Infinity War is coherent, consistent, but also packed to the gills. It’s too compact. Like, it could have used a few more quieter moment to allow the movie (and us) to breathe and give everything on screen and off screen some time to sink in. It could also use a bit more build up, a few more “hanging moments” to let the punches hit the guts and make the surprising turns really “wow!” But, we can’t have it all, I guess. So let’s just break down the things I like the most about the movie and the things I thought were kinda “meh”. And I’m not gonna complain about all of the deaths being temporary. That’s like complaining that Neo came back to life at the end of The Matrix.

Great:

1) No resurrection this time. How to make a dark Avengers movie? Kill Korg (Taika Waititi) before the movie starts. Y’know, that guy who made that goofy Thor and Hulk movie. Now seriously, that opening sequence is definitely one of the most effective, if not the best, in all Marvel movies. Setting the stakes and the tone early on. Thanos and his death metal band, the Black Order, mean business.

2) Goofy in Knowhere. Thanos knows well his favorite daughter hangs out with disco-loving, galaxy-saving group of oddballs and misfits. Why Thanos didn’t use the Power stone in fighting the Guardians? He probably didn’t want to kill his daughter’s friends. So he tried to be creative and used the Reality stone instead. To make bubbles.

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‘Avengers: Infinity War’ Is One Big Superhero Movie Climax

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Avengers: Infinity War opens with a distress call—actually a massacre, off-screen. And it’s only fitting that after Marvel’s most outrageously hilarious movie comes tragedy. I’m referring to Thor: Ragnarok, of course, which ended with Thor, Loki, Heimdall, Hulk and the rest of the Asgardians aboard The Mastermind’s fancy ship. They all survived Ragnarok—saw Asgard burn to the ground—only to have their refuge cut short by Thanos and his henchmen, the Black Order.

Yes, Avengers: Infinity War takes off right after that Ragnarok stinger. By the way, I remember someone complained that Ragnarok shouldn’t be a comedy, that everyone should have died in the end just like in the comics. My dear friend, you had Thanos’ mercy, your wish has been fulfilled. Are you happy now?

Of course, Infinity War is also, more or less, a direct sequel to Captain America: Civil War, Spider-Man: Homecoming, Black Panther and Guardians of the Galaxy Vol. 2—none of which required viewing prior (in case you missed them) except for the last one. Civil War‘s great divide was summed up by Tony Starks with “we’re not in speaking terms”; Spider-Man, who tried so hard to impress Tony only to reject his offer to become an Avenger in the end, now becomes an Avenger; and Killmonger, the most important character in Black Panther, you don’t really need to know to understand this movie.

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Stoked to Infinity? Deadpool 2’s Final Trailer Is Just So Rad

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Just watched the final trailer for Infinity War and I’m stoked to infinity.

Like this:   stoked ^ ∞

Oh, I mean Deadpool 2. Sorry. Also, wrong poster. My bad. Anyway, looking back I could say now how I actually felt about the official trailer. It was disappointing. This final trailer feels more like it. It’s perfect in every way that a trailer for a Deadpool sequel should be.

I mean, references to both the best and the worst Wolverine movies? Check. Reference to Thanos and Infinity War? Check. Reference to DCEU? Very fat fuckin’ check. Plus, plus, the plot seems to be a cross between the first two Terminator movies with a bit of Looper thrown in. Well, they might as well make fun of them if this would be the case. Cable as the villain? Is that a Terminator or an Avengers reference? The kid as the ultimate bad guy in the future? Yeah, that’s kind of Looper right there, right? But what if Cable isn’t really Cable, and the X-Force are actually fighting his clone?

That would be interesting.

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Are You Team ‘Infinity War’ Or Are You Team ‘Deadpool’?

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Couldn’t we just like them both? Be excited for both? Eggsactly. But where’s the fun in that? Also, these are two very different superhero movies. Two movies that operate on very different levels. So let’s contrast and compare.

One is about a Titan’s intergalactic quest for a set of colorful McGuffins, and the resulting powerful one-against-all scenario that would lead to gigantic fights that’s most probably 80% punching. While the other’s just the first sequel in a franchise (as opposed to the former being the 19th movie in the series) that seemingly care less about anything else outside of its titular hero. And Cable. And X-Force. Who’s the villain? We don’t know. That, we will find out come opening day.

Maybe “the real heroes” aka the screenwriters have a few more tricks up their sleeves and subvert our expectations about the movie’s plot. But I don’t want to expect. That’s the golden rule: Don’t expect. And based on the trailer, it is probably more of a spandex-and-sword action movie, with a lot of talking and talking to the camera, and fewer punching scenes.

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13 Reasons Why I’m (Not) So Excited About Avengers: Infinity War

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Can’t say I’m not the least bit excited about Avengers: Infinity War. It is after all an Avengers movie. Something I have always looked forward to more than any other series or sub-franchise in the ongoing Marvel universe. Outside of the Guardians of the Galaxy, of course.

One reason I’m not too excited about Infinity War is that the Russos are directing it. And the writers of Captain America trilogy are the guys behind the script (Edit: They also wrote The Dark World, which I actually liked, but y’know Joss Whedon also had a hand on it). Sure, Civil War had some funny, sometimes witty back and forths, but it’s not the same as when Joss Whedon was still Marvel’s go to guy. Of course, Age of Ultron was a massive let down but so was Civil War.

At their best, the script for the last two Captain America movies, were just a little more than serviceable. Except for The Winter Soldier‘s bone-busting, fast-cut ADHD-style and a little shaky fight sequences (not really that good, if you ask me, since they tend to get repetitive in the long run), and Civil War‘s airport scuffle, those movies didn’t really stand out from the rest of the MCU. They didn’t have a distinct look or tone. Neither the triumphantly comedic/dramatic as the Guardians, nor as outrageously “out-there” as Thor: Ragnarok, and never as heartfelt as Ant-Man. Nothing really inventive or out-of-the-box.

Speaking of out-of-the-box ideas, that scene in where Loki was falling thru nothingness for thirty minutes is one of the most inventive sequence I’ve seen among recent MCU films. Sure that sequence is simple on the surface, not much CGI required to pull off, but it definitely required more than a bit of imagination to come up with. Yes, it was played for laughs and didn’t really forward the plot but it’s actually great in that, it demonstrated Strange’s power, his magic, it fleshed out the contrast between characters Loki and Doctor Strange, and also, it was very funny. My complaint with Doctor Strange is that it wasn’t magical enough, it wasn’t really strange. (Should Waititi take on next Doctor Strange movie, I would be excited for that.)

Going back to Cap’s movies, on pure technical aspects, they’re as exciting as Ant-Man. Outside of things mentioned above, they look so run-of-the-mill. Too bad for them, Ant-Man had a smaller but more relatable, not to mention more convincing, story to tell.

So yeah, the trailer is out. And it was different from the one shown in D23, which already leaked thru the internet. Trailer breakdowns are everywhere. This guy found 13 reasons to be so excited about this movie coming out next year. So I decided that I’d rip him off and give my own—kind of contrarian—take on the list. Here we go:

Vision Goes Through Changes
Not a big fan of Vision. Though I like Age Of Ultron more than the next guy, Vision’s origin is one of those sub-plot in that movie that left me… I don’t know. It’s was kind of magical and dumb and also very contrived. I like Scarlet Witch. There’s a part in Ultron where Hawkeye told her that none of these (the things happening in the movie) makes sense, and it was followed by her character transformation. I also like her being paired with Vision in Civil War. But that brings me to one of my biggest gripes about the movie: Where the hell is Vision during that Lagos mission?

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Captain America: Civil War (The Russo Brothers, 2016)

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Captain America: Civil War finds the Earth’s mightiest heroes split in two. One led by Captain America and the other headed by Iron Man—two evenly matched teams going head-to-head in a mid-movie battle seemingly inspired by the opening sequence of the X-Men cartoons from the ‘90s. While Iron Man got Spider-Man, Captain America’s team is the more exciting one, with Wanda, Hawkeye and Ant-Man on his side. Still, this doesn’t make it significantly more interesting than the other similarly themed summer flick from DC, especially when most of the superheroes left to team up with either Cap or Tony, are the predictably dull side characters in the Marvel Universe—War Machine, Falcon, Winter Soldier, Vision and a likewise banal newcomer in Black Panther.

I thought we should at least have Nick Fury in the middle, make him give long Tarantino-esque monologues that would illuminate why Cap and Tony were on different sides. (Looks like Tony is just jealous because Cap’s got a new boyfriend and he’s got no one else since Pepper left him.) Also, they could have given Agent 13 more screen presence this time, because honestly, they couldn’t make Black Widow any more alluring and her signature takedown gets tiring already. Another thing, the camera tends to get too shaky during her fight scenes—actually, most of the fight scenes, not just those with Black Widow.

Captain America: Civil War starts with The Avengers foiling a terrorist attack somewhere in Africa. They were able to retrieve the biological weapon from the terrorists, but not without collateral damage—something they might have avoided, if only Vision wasn’t so busy in the headquarters kitchen. So Tony Stark has to do a Bruce Wayne this time; taking fall for the death of innocent people when they tried to save the world from Ultron. Captain America, on the other hand, just can’t afford to lose Bucky for the third time, even if his disagreement with Stark could lead to Civil War.

Of course, it didn’t. No Civil War, just a smaller version of Mark Millar’s serial, which has twelve superheroes fighting each other in Leipzig/Halle Airport. With Hawkeye just being funny, delivering one-liners in between punches; Ant-Man getting inside Iron Man’s suit, then later turning into Giant-Man; and Spider-Man throwing banters while webbing up Falcon, sparring with Cap, and swinging around Giant-Man. Then, there’s Elizabeth Olsen, who gives Wanda Maximoff the vulnerability—both emotional and physical—that’s kind of rare in this type of movie. Olsen’s Wanda is both fragile and fierce, like a kitten with special powers, caught in the middle of a slugfest.

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Said airport scuffle is easily the best part of this movie. But since it happens somewhere in the middle, right before the “more” important events are about to unfold, it makes the last third of the movie drag, not just a bit. And I couldn’t even care less, especially after Wanda, Ant-Man and Spidey left off the screen. And I think, it asks too much of its audience when they killed Rhodes. Almost. It’s not like he (almost) died trying to save people. And both teams seem to be having a fun pick-up match just right before that, with Spider-Man referencing Star Wars and Ant-Man asking for orange slices (probably to nurse a massive headache) after he gets knocked down. Unlike the death scene in Joss Whedon’s Age of Ultron, the tone here is just, off.

At long last, the final fight between Cap and Iron Man boils down to Tony doing another Bruce Wayne—as he turns vengeful for the death of his parents. The fight gets a bit clearer near the end—lesser camera movements, lesser cutting but in the same gloomy blue-grayish tone (would have been nice to see Cap’s bright costume contrasting nicely with Iron Man’s metallic gold and red). And in case you forgot, in the pure Marvel tradition of having boring half-villains, this movie also got one: Baron Zemo, who gets to carry out his very complicated plan, just because the plot needs him to.

Again, that airport scene is probably the coolest thing ever…or maybe, just until the next Marvel movie comes.

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