Themesongs isn’t really as great, much less original, as all those millennial kids who raved about it before would have you believe. Musically, it’s mostly just second-hand twee. But the songs are playful, quirky, they’d make you wanna jump, dance or chase around your hun and give him/her your tweest embrace when you catch him/her. And the lyrics, the Tagalog lyrics, well, that’s what elevates this from all other local indie-pop peeps, and somehow justifies them using a name from a song by the Eraserheads.
I mean, Ciudad didn’t call themselves Torpedo or Butterscotch, Itchyworms didn’t call themselves Scorpio Rising, Orange & Lemons didn’t go by Milk & Money, and Ebe Dancel, even though a big Eheads fan, named his band so because he’s Diabetic. Oh, well, whatever. Continue reading “Ang Bandang Shirley – Themesongs (2008)”
Now this, is Album Of The Year material. Probably the most exciting local indie-rock record from the 2010’s. This sophomore effort is said to be more collegial, mature and sophisticated than the debut. The band, easily averting the proverbial sophomore slump—if there is still such a thing. All this, according to the fans, critics, and critics/fans.
The only problem is, I can’t find that same album the local tastemakers so raved about. Sure, there are hummable melodies in here, a few fuzzed and fast, if predictable tunes, and one sad song about a huge mass of slow moving river of snow. Compared with their debut, the songs on Tama Na Ang Drama are generally slower, longer, mellower, more polished—none of these, directly equates with, better. And between the strategically placed A-sides, are uninspired throwaways, redundant B-sides, and one remake that’s largely unnecessary (“Saan Na,” previously by Narda). Continue reading “Ang Bandang Shirley – Tama Na Ang Drama (2012)”