Foreign Languages (tide/edit, 2014)

Math makes the intangible tangible, defines the imaginary, helps explain what seems to be, well, unexplainable—like our universe. With Foreign Languages, indie-rock quartet tide/edit does something—not exactly opposite—different. The tunes in Foreign Languages, they aren’t easy to describe or explain—not that one needs to—yet they could easily capture one’s attention and/or imagination. tide/edit’s music has … More Foreign Languages (tide/edit, 2014)

Balikbayan Box: The 20 E-ssential Eraserheads Songs, Vol.2-Part 2

First, the images above. They’re from the inlay cards of Fruitcake album. Probably, cassette. Not my own, just found ’em on the inter-webs. Now, I heard there is a Fruitcake movie in the works. And it’s about a now grown-up Frannie Wei trying to go back to Fruitcake Heights. But before she could enter that … More Balikbayan Box: The 20 E-ssential Eraserheads Songs, Vol.2-Part 2

Balikbayan Box: The 20 E-ssential Eraserheads Songs, Vol.2-Part 1

I spoke too soon. I took this raw recording clip from YouTube as proof of an on-going recording session and joined the #ultrasecret bandwagon. Last week, Ely Buendia surprised us with (initially) semi-cryptic posts on Instagram, then an announcement: they’re releasing a remastered version of Ultraelectromagneticpop for its 25th Anniversary. Digitally. ITunes, Spotify, and whatnot. … More Balikbayan Box: The 20 E-ssential Eraserheads Songs, Vol.2-Part 1

Khangkhungkherrnitz

Before comedy bars became the favorite hangout of your wannabe-cool titas, who were never really into bands, frats or gangs (and therefore, were never really cool in the first place), the bar/band shenanigans were exclusively aimed for drunk and stoned college kids who were into bands, strippers, and booze. They’re the ones who’ll later turn … More Khangkhungkherrnitz

Effect Desired None

Probably Not But Most Definitely had me confused. They could have easily given Cynthia Alexander a run for her money (not that record sales equates to big money in the early aughts, not that there were any significant record sales numbers to begin with), I just don’t get what the (vagina) monologues are for. What … More Effect Desired None

Watery, Domestic

You just can’t go in the studio toss out four “distinguishable, hummable songs” (Christgau) and call it an album. You can’t just invite your two buddies let one of them play bass and the other just basically do nothing and make them official members of the band afterwards. You can’t just have your drummer make … More Watery, Domestic

Rivermaya Albums Ranked From Worst To Best

Rivermaya never got rejected by record labels because their songs weren’t “pop enough.” They never experienced selling tickets only so they could play in Club Dredd. If there’s anything naysayers had to say about Rivermaya, it’s that they were manufactured (they were the brainchild of Chito Roño and Liza Nakpil), they never toiled the underground … More Rivermaya Albums Ranked From Worst To Best

Debris (Sandwich, 2016)

Debris, Sandwich’s eighth LP, despite having “Kagulo” and “Outlaw,” is a little less than their previous outing—the one which they recorded live, in studio. “Kagulo”, easily Sandwich’s most recognizable hit since “Betamax,” could have been up there with the band’s best album openers—alongside “Sugod”, “Procastinator”, and “Cheese Factor Set to 9”—if only it isn’t the … More Debris (Sandwich, 2016)

Maselang Bahaghari: The 20 E-ssential Eraserheads Songs, Vol.1

I’ll let you in on a secret. The Eraserheads, the now defunct greatest local band in the land, is in the process of re-recording the songs from their ultra-celebrated but supposedly tinny-sounding first album Ultraelectromagneticpop!. Maybe I should drop “supposedly” in my last sentence, because that’s the very reason Ely Buendia wanted to re-do their … More Maselang Bahaghari: The 20 E-ssential Eraserheads Songs, Vol.1

Follow the Leader (Ciudad, 2012)

The trajectory Ciudad took from Happy Bear to Follow the Leader, isn’t quite slanted and enchanted turning into bright corners until terror twilight comes in. See, Pavement references Ella Fitzgerald, not Helmet; Ciudad, on the other hand, echoes Korn, the fathers-in-denial of the bastard sub-genre called Nu Metal. Maybe they’re more like The Dead Milkmen, who … More Follow the Leader (Ciudad, 2012)

Random Thoughts: Camera Obscura, Interpol and Other Favorite Records from the Zeroes

Another list. A list of albums I like, from that decade after the Millennium Bug crashed the world’s supercomputers and left the world in chaos. Albums I still listen to from time to time. Not necessarily the bests, nor great ones. More like comfort food. Like burger and fries.   Interpol, Antics. Sure they ripped … More Random Thoughts: Camera Obscura, Interpol and Other Favorite Records from the Zeroes

Obligatory Pavement Post #3: Ironic Love Songs

“Harness, your hopes to just one person, because you know a harness, is only made for one”. Tell me that isn’t about love. Or marriage. Maybe I’m not right. But I’m sure I could not be wrong. Because seldom are there wrong interpretations, when it comes to Stephen Malkmus’ songs. At least that’s what my … More Obligatory Pavement Post #3: Ironic Love Songs

Pinoy Blonde (Peque Gallaga, 2005)

Remember Pinoy Blonde? That plot-less Tarantino send up that doesn’t seem like it? Not sure if this was obvious enough, but I’d assume most didn’t realize that Peque Gallaga & Lore Reyes weren’t really channeling Quentin Tarantino, unless they’ve read Peque Gallaga’s Playboy interview, in which he also expressed his dislike for Lav Diaz’s films, … More Pinoy Blonde (Peque Gallaga, 2005)

Ten Books, Asterix, Regina Spektor, and The History of the World, Part 1

Coming up with a list of my favorite books, within a few minutes and without thinking too hard, isn’t really as easy as, say, whipping up my top ten punk/rock records while making peanut butter sandwich or coughing out my top ten superhero movies while reading a white paper on vibration analysis. Which is to … More Ten Books, Asterix, Regina Spektor, and The History of the World, Part 1