Themesongs isn’t really as great, much less original, as all those millennial kids who raved about it before would have you believe. Musically, it’s mostly just second-hand twee. But the songs are playful, quirky, they’d make you wanna jump, dance or chase around your hun and give him/her your tweest embrace when you catch him/her. And the lyrics, the Tagalog lyrics, well, that’s what elevates this from all other local indie-pop peeps, and somehow justifies them using a name from a song by the Eraserheads.
I mean, Ciudad didn’t call themselves Torpedo or Butterscotch, Itchyworms didn’t call themselves Scorpio Rising, Orange & Lemons didn’t go by Milk & Money, and Ebe Dancel, even though a big Eheads fan, named his band so because he’s Diabetic. Oh, well, whatever. Only Owel Alvero, Selena Salang, et al had the gall. Anyways, what I’m trying to say is, attaching Eraserheads to their band name was a risky move. I know some people didn’t like it.
If I remember correctly, there were some dismissive comments on their music video for “Sa Madaling Salita” on YouPorn. Still, I think having “Shirley” in their name quite worked for them, Owel Alvero and rest of the gang. “Sa Madaling Salita” is also quite good. The music video, not much, though at least it’s not as off-putting as Up Dharma Down’s “Turn It Well.” Also, bonus points for the band for putting the words “dumadanak ng dugo” in a love song.
Where was I? Yes, the lyrics. Ah, Patintero. Have you ever wonder before why the girls, when they started hitting puberty, they would stop playing games like Patintero (or anything that requires touching and running) or if they’d still do, their very strict lola or old maid tita would scold them and damn them to hell? Hmm… exactly. Kung ika’y aking mahuli, di ko kagad masasabi / kung ano ang una kong gagawin sa’yo. Well, he definitely knows what he’s going to do next, but it’s this kind of playfulness in the lyrics that makes the songs in Themesongs work.
Then, there’s the title track where the lovers wait for their would be theme song. Because, you know, it isn’t always like the movies, where the perfect love song plays in the background the moment the girl says “Oo.” That’s cute. But do girls still say “Oo” nowadays? I don’t know. Maybe they use some other phrases, slang or colloquial terms. Or maybe just plain lazy phrases like “wala lang” or “iyong”?
The best song here, “Tsuper Duper”, is probably the closest they have for a crossover hit. Y’know, like crossover from Nu107 to Love Radio, that kind of thing. (I know there’s a longer title but “Tsuper Duper” has better recall like ABBA’s “Super Trooper” and the best longest song title award is already taken.) And it’s probably the most Ely Buendia-ish and Stephen Malkmus-y song Owel Alvero has ever written. The moment they shouted “Solo na!” just before the guitar solo echoes Pavement’s “And they’re coming to the chorus now,” which, of course, Malkmus sings just before the song’s chorus.
There’s something in Themesongs—I don’t know—a kind of knowing or self-awareness that’s missing in their other albums. And you know what, second-hand twee or not, I’d give this one a blowjob just for this song title alone: “Kagabi Nanaginip Si Morrissey Na May Nagmamahal Sa Kanya.” It’s hardly album of the year material but it’s definitely worth a spin.