Is this where it all starts to bleed together? Is this where it all starts to sound the same? I’m mean those towels hanging on the cover of IDEAS. Towels, ideas, songs—spin them thrice in the washing machine and colours will bleed for sure. Ditto with these tunes, tracks, songs.
After Lightfoot, I have little use for song titles. Without the lyrics, will I be able to easily tell Track 1 from Track 3? This one’s like a less catchy that. That, is a far superior version of this. This one doesn’t evoke Feeling A the same way Track X does in the first. The first one is X2, which is equal to A. The second is B – 1, which is 2X2 / 3 or less. What about strong melodies? Is there enough to carry on down to the twelfth track? But “strong” is subjective. What sound strong to others might still seem weak to me.
Strong powder detergents (i.e., Tide), however, could wear the colours of the fabric really fast. And by their third album, I found tide/edit’s sound kind of thinning out. The colours faded and the distinction between each track, somewhat as blurry as clothes—undies, socks, shirts—whirling inside the tub. I’d give Lightfoot A for effort and C for delivery. Early delivery. For All My Friends, I’d give it the benefit of the doubt and two and a half pouch of Ariel with fabric conditioner. ‘Cause every time I play it, it leads me to the band’s earlier stuff —the evocative full-length debut, Foreign Languages.