With great firepower comes great kick-ass finale
Damon Macready (Nicholas Cage) was a good cop out to get NY kingpin Frank D’Amico (Mark Strong)—who in turn framed him for drugs and got him incarcerated. Macready lost everything while in prison, save for his little girl—thanks to his buddy Sgt. Marcus Williams (who showed up in the movie for a few minutes just to read Macready’s first graphic novel and reveal what this movie is all about: Macready’s revenge). Of course, Macready has since returned. This time as the masked vigilante known as Big Daddy. Big Daddy together with Hit-Girl a.k.a. his now 11-year old daughter Mindy (Chloe Grace Moretz), are on to destroying D’Amico once again. They’re no super-heroes; they’re only out for blood.
Elsewhere, there’s Dave Lizewski (Aaron Taylor-Johnson) and his friends wasting time geek-talking about superheroes—how no one’s attempted to wear the mask and fight crime in real life. When Dave finally decided to don the green unitard and take on the streets, the results ranged from “nothing happens” to downright bone-crushing. In other words, he got his own ass handed to him a few times. And then he went viral and eventually conquered MySpace. (MySpace, of course, would eventually lost to Facebook, as can be seen in David Fincher’s brilliant Mark Zuckerberg movie, The Social Network.)
On the side, there’s Lyndsy Fonseca as Katie Deauxma, the requisite (not that I’m complaining) love interest, Dave’s long-time crush and Kick-Ass‘s own MJ (an improvement over Spider-Man‘s Kirsten Dunst).
When Big Daddy and Hit-Girl finally crossed paths with Kick-Ass, Dave’s super-heroics took a backseat, together with his (and the movie’s) thought balloons about superheroes, comic books and genre deconstruction. And this is when Kick-Ass shifted gears into a straight action movie.
But what an ass-kicking action movie it is. Fluid cameraworks, great fight choreography, Matthew Vaughn’s cartoonishly violent action sequence—that’s what really sets this apart from other comic-book movies. Christopher Nolan’s Batman action scenes would look like something from a Kevin Smith movie if you compare them. While Vaughn’s spy movie Kingsman: The Secret Service (2015), could shred every James Bond movie from the last ten years to pieces if it wants to, Kick-Ass makes most of MCU movies look “strictly for kids”.
The best sequence of them all, the movie’s dramatic high point, is when Hit-Girl rescues Big Daddy and Kick-Ass from D’Amico’s men—Big Daddy’s burning and tied to a chair, shouting coded instructions (e.g., Go to Robin’s Revenge!) while Hit-Girl takes the henchmen down one by one. The sequence packs so much emotions, bullets, blood and style (i.e., POV shots, fast cuts and glorious slo-mos) and brings to mind bits from the best John Woo movies (i.e., The Killer, Hard Boiled).
Another hallmark of a good action movie? The main villain, Frank D’Amico, has the best fuckin’ lines (e.g., God, I wish I had a son like you).
When all is said and done, it’s all about revenge. And Matthew Vaughn’s stylish action sequence. Nevermind its premise, or the first half, or Dave Lizewski’s thought balloons about being a superhero. You’ll forget about them anyway, once you see Hit-Girl engage Frank D’Amico in a brutal hand-to-hand combat in the movie’s kick-ass finale. And don’t forget, the part with that “one weird sounding bazooka” is a total winner.
No, Kick-Ass, though more kick-ass than Deadpool, doesn’t quite work on a similar level of either Super or Deadpool. Not a send-up or anything. It’s just a straight shoot-and-slice-’em-up revenge story disguised as comic book movie about comic books and superheroes. No chimi-fuckin-changas—just first-rate action movie is what it is.