Spider-Man 2 (2004). In the comics, later in the story, it is revealed that Aunt May knew all along that Peter is Spider-Man. That she secretly knew his secret. That this is hinted at in the movie, is one of those little things that made this adaptation great. That Aunt May is given her own kick-ass moment, teaming up with Spidey to beat Doc Ock, is another. Of course, there’s the great train sequence, the bank heist, Doc Ock’s Evil Dead moment, and don’t forget, J.K. Simmons as the blustering J. Jonah Jameson.
Hellboy II: The Golden Army (2008). This is one visually stunning film. The troll market is a hoot. The fate of the last forest god is both tragic and beautiful. On top of that, the film’s main conflict isn’t just simplistic good vs. evil—Prince Nuada has good reasons to break the truce. Remember the part where they drink beer and sing along to Barry Manilow? Yeah, this movie’s quite funny too.
Guardians Of The Galaxy (2014). It’s a good mix of action, comedy and drama—not over serious but not just mindless fun either. From the opening song and dance number down to the other song and dance numbers before and mid-credits, this movie about a band of misfits saving the world is a winner! And probably the danciest superhero movie of all. The best MCU movie? Yes—beats The Avengers by a hair and way way better than Civil War.
Batman Returns (1992). Tim Burton isn’t much about inventive fight scenes than he is about texture, the elaborate Gothic sets, the quirky and oftentimes grotesque characters. What it does lack in action, it makes up with style and wit (i.e., Penguin’s weaponized umbrella, Selina Kyle’s taser-kiss). Add to that the deliciously insane script and the great cast—Danny De Vito, Christopher Walken, Michelle Pfieffer—and you got the best adaptation of the Caped Crusader’s plight.
Spider-Man (2002). Compared to more recent movies, this may seem a little too straightforward now—more like a comic book primer, a one-shot. But that’s only because it is the prototype, which others would later try to improve on. Some movies upped the action (Kick-Ass), some, the comedy (Deadpool) but Sam Raimi’s Spider-Man, where Peter Parker learns that “with great power comes great responsibility”, remains the all around better origin movie.
The Avengers (2012). After two Hulk movies that were just okay, here’s that Hulk movie we all really need. I remember not being so excited about this before it came out. That all the movies that lead to this movie were just okay—the talky Iron Man sequel, Cap’s WWII origin and Thor‘s uneventful Asgard—was enough for me to lower my expectations. Thus, seeing the Earth’s mightiest in one awesome movie—thanks to Joss Whedon—was such a huge marvelous surprise.
Deadpool (2016). Merc with a Mouth’s origin story is part Spider-Man redux, part corrective to the atrocious Wolverine origin and the closest a comic-book movie comes to approximating Monty Python and the Holy Grail-type of craziness (though it’s not even close). Green Lantern is quite good as Deadpool and he’s got Serenity‘s feisty muse as his girl next door.
Kick-Ass (2010). Also known as Big Daddy’s Revenge (With A Little Help From Kick-Ass). Because. It’s all about revenge. And Matthew Vaughn’s stylish action sequence. Never mind the premise; or the first half; or Dave Lizewski’s thought balloons about being a superhero. You’ll forget about them anyway, once you see Hit-Girl (Chloe Grace Moretz) take on Big Boss Frank D’Amico in a brutal hand-to-hand combat in the movie’s kick-ass finale.
Super (2010). The genre deconstruction that Kick-Ass hardly was—James Gunn’s pre-MCU superhero black comedy features the pipe-wrench wielding vigilante who calls himself The Crimson Bolt and his far more unhinged side-kick Boltie. It’s dark, funny and gritty. Tired of the family-friendly and passable entertainment from Disney? Or the trying hard to be dark and edgy DC movies? This one’s for you.
Jay & Silent Bob Strike Back (2001). I was one movie short of making this a top ten list. So I thought of another movie which I really like. Then, I remembered this—Kevin Smith’s movie about Jay and Silent Bob going to Hollywood to stop the adaptation of Bluntman and Chronic into the big screen. It’s trashy and amateurish, which is typical of Smith’s movies. A must-see if you’re a fan of Smith’s.