Before Sticker Happy came out late in 1997, Eraserheads released an EP called Bananatype. For a band that has released one LP every year since 1993, a stopgap midyear release was nothing short of surprising. They just have too many songs for the new album that they have to put away some of them, the band explained. But maybe airplay also came into play. Their label possibly wanted a radio single that has nothing to do with Frannie Wei – something not from the underpromoted Fruitcake. So, after the third single “Trip to Jerusalem” (the music video for which, is arguably the dopest of all Eheads music videos) didn’t fly as expected, the plan for a fourth single – which could have been “Lightyears” – was squashed, probably.
And so we got Bananatype, a five-track album that hardly connects the dots between Fruitcake and Sticker Happy. “Harana”, the lead single, or A-side, has all the trademarks of an Eheads hit – ingenious lyrics, melts in your mouth melodies, and the hookiest hooks one could ever ask for. It’s a song that retreats back to the catchy folk-pop of Ultra and yet, foreshadows the effects-heavy sound of Sticker Happy, through loud guitars and an extended outro.
Much like the Fruitcake EP, there are only two outstanding cuts here – the aforementioned “Harana” and the closing track, “Tikman”. The latter is a lo-fi quickie that leans toward the psych double-entendre side of Cutterpillow. It’s an underrated gem, a commercial jingle that could have easily been a hit single. (If you’re not convinced yet, you can watch an Eraserheads trio perform it live on this grainy video.) The other three songs – Police Woman, Bananatype and I Can’t Remember You – aren’t anywhere near bad, but would be best appreciated by diehard fans.